Selected Instrumental and Vocal Music
Don’t see anything for your instrument or specific ensemble? Let’s talk about collaborating!
Solo
Playing With Shadows - 2024
Solo Percussion and Multimedia - 55’
Toxic Tobacco Thinkpiece™ - 2022
Solo Trombone and Multimedia - 6’
Memory Shores - 2022
Solo Bassoon and Live Electronics - open duration
for Cassandra Roache
Oroboros - 2021
Solo Baritone Saxophone and Live Electronics - 12’
for Julien Berger
One Person’s Trash - 2020
Solo Viola - 6’
for Jacob Tews
Four Vignettes for Guitar - 2020
Solo Classical Guitar, Tape, and Multimedia - 8’
Watch - 2020
Solo Piano, Tape, and Multimedia - 12’
commissioned by Clare Longendyke
also arranged for Solo Marimba and Multimedia - 12”
In Violet - 2020
Bb Saxophone, Tape, and Projection - 8’
commissioned by Curtis Allen Gay
At A Time - 2019
Solo Percussion - 9’
commissioned by Mina Guvenc
Tapestry - 2018
Marimba - Open Duration
commissioned by Anthony DeMartinis
no one ever asks about the bats in plato's cave; do you think they could see their shadows too? - 2018
Augmented Euphonium - 7:30’
commissioned by Michael Fahrner
Tomatoes, Cucumber, Onions, and Other Memories - 2018
Percussion - Open Duration
commissioned by Dominic Ryder
Installation and Multimedia
This Point, On - 2022
Interactive Audio Installation
Courtyard, Lamar Dodd School of Art, University of Georgia
Daylight Suite - 2022
Interactive Lighting and Quadraphonic Audio
Chamber
Imaginary Grooves - 2023
Jam
Squeeze
Mush
Alto Saxophone and Percussion Quartet - 15’
for Scott Brown
Still Life - 2022
Harp and Erhu - 10’
for East Chamber Emerging Composer Festival
Idyll Patter - 2021
Violin Octet - 7:30'‘
for UGA Composition and Violin Studio Collaboration
also available as a Trumpet Octet
Move On, We/You - 2020
Treble Woodwind, Bass Woodwind, Digital Keyboard, and Electronics - 5’
Reset - 2020
Low Brass and 2 Drums - 1’ or Open Duration
for Moreau VanTuinen Duo Call for Miniatures
Suffusion - 2019
Two Treble Instruments, Two Bass Instruments, and Lighting Apparatus - 10’
for Kevin Michael Kay
Collocation - 2019
String Quartet (Violin, Violin, Viola, and Cello) - 8’ or 12’
for the 2019 SoundScape New Music Festival
We Can Learn Me Together - 2019
Violin, Viola, and Piano - 6’
for the 2019 Alba Composition Festival and Sonic Apricity and Clare Longendyke
There Is A Light - 2019
Percussion, Piano, Flexible Ensemble, and Audio-sensitive Lights - 14’ or Open Duration
for the 2019 SoundNOW Festival and Terminus Ensemble
not numbering and counting, but ripening like a tree - 2018
Organ and Marimba - Open Duration
for Larry Tremsky
I'm not yet sure what this will become - 2018
Tuba and Percussion - 6’
commissioned by BrassTaps duo, Anthony DeMartinis and Evan Zegiel
The Signs We Send (neon signs) - 2017
Flexible Instrumentation - Open Duration
for How Things Are Made, Call for Things
reOrient - 2017
Cello Quartet - 8’
commissioned by Catherine Fish
what/is/what/was - 2017
Two Percussion, and Piano - 8’
for Yarn/Wire Summer Institute, Stony Brook, NY
it is quite possible (after all) - 2017
Alto Saxophone, Violin, Cello, Contrabass - 6’
for New Music on the Point Festival, Leicester, VT
Large Ensemble
Cypher - 2022
for Chamber Orchestra - 9’
version for Mixed Ensemble also available
for Common Tone New Music Festival, Moscow, ID
Familiar Patterns - 2020
for Chamber Orchestra (1.1.1.1.1 - 0.0.0.0 - SATB Choir + SATB Solo - Perc., Piano - String Orchestra) - 4:30’
for UGA Oratorio Project
The Legend of Sleeping Bear - 2020
for Middle School Band, SSA Choir, Mezzo Soloist, String Orchestra - 14’
for Marietta Middle School, Marietta, GA
Meaningful Journeys - 2018
Wind Octet and Percussion Quartet - 9’
2 Piccolos, 2 Flutes, Clarinet in Bb, Bass Clarinet, Bassoon, Tenor Sax, and Found Percussion
commissioned by Justin Murray, Conductor
In Conversation - 2018
Chamber Orchestra and Electronics - 9’
for Flute, Oboe, Bassoon, Electric Guitar, Contrabass Recorder (or Bass Clarinet), Percussion, Percussion, Piano, Violin, Violin, Viola, Cello, and Bass
written for 2018 Black House SoCal New Music Festival
Vocal Music
With, not To - 2018
SSAATTBB Ensemble
text created by the ensemble
for Roomful of Teeth Reading Session at GSU
Approximated Memories - 2017
Soprano (or Tenor) and Percussion - 10’
for KITA Duo
Felicia Chen, soprano and Noah Rosen, percussion
Opera
Down the Rabbit Hole - 2022
One act - 60’
12 Roles, SATB Chorus, Chamber Orchestra (Piano Reduction available)
commissioned by Abigail Head